Saturday 28 October 2017

Bust of Grotius by Rysbrack




A Terracotta Bust of Hugo Grotius (de Groot) (1583 - 1645).
by Michael Rysbrack (1694 - 1770).

National Museum of Sweden.

The bust was purchased in 1963.

Post updated 15 August 2023 with the Wedgwood and Bentley Basalt Bust.
and the anonymous terracotta bust in the Rijksmuseum.

The Swedish Ambassador to France.






Hugo Grotius also Huig de Groot or Hugo de Groot.

No size given.

I have contacted the Museum and they don't have any better photographs,

or any intention of taking any in the near future.


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Hugo Grotius.

Miniature Ivory Relief

Here attributed (safely I believe) to van der Hagen.
 
after Rysbrack.

10. 8 x 8.4 cms.

Rijksmuseum.

For a useful overview of the career of van der Hagen see -

http://bathartandarchitecture.blogspot.co.uk/2015/11/the-rysbrack-statuettes-of-rubens-van_55.html

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Basalt Bust of Grotius.

Sotheby's 23 October 2019. Lot 97.



Wedgwood and Bentley.

50.7 cms.

The Sotheby's Catalogue entry.

Gallagher, 2019, writes that in September 1779, an order of six large busts, including a Grotius, was fulfilled for the Dutch market and which came through Wedgwood's Amsterdam agent Lambertus van Veldhuysen.

 A bust of Grotius is also included in Wedgwood and Bentley's 1779 trade catalogue (available on line). 

The source for the bust is likely the 1631 oil painting by Michiel Jansz. Van Mierevelt (1576-1641). A second bust of Grotius of this large size from the Bernheim Collection was sold at Sotheby Parke Bernet, New York, February 26, 1972, lot 116.


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Grotius.

Terracotta.

They say late 18th Century?

Rijksmuseum. Amsterdam.



Grotius.



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Silver medal.



Medallion.
48 mm.
Jan Smeltzing.

Probably c. 1690

Illustrates the chest in which he made his escape with the aid of his wife from Castle Loevestein
(seen in the background on the right), There are currently two chests, one in the Rijksmuseum claiming to be this chest illustrated here.

British Museum


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View of the castle in Loevestein where Rombout Hogerbeets and Hugo Grotius were prisoners, below a long view of the fort and castle seen from far away, at bottom left the portrait of Rombout Hogerbeets on the left, directed to the right but facing the vie




Castle Lovensteyn.

227 x 296.

British Museum.

see - https://www.youtube.com/watch?v=MkLXsPJLC3M


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Rysbrack appears to have based his bust of Grotius on the engraving by Mierveld (various spellings).

There is a surprisingly large number of engravings of Grotius. There are 11 in the National Portrait Gallery in London.

I am posting a selection of those of Grotius in later life - the van Mierveld engraving says aged 49 in 1632.




Hugo Grotius
After Michael Jansz van Mierveld (1567 - 1641).


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Portrait of Hugo Grotius by Daniel Heinsius





Hugo Grotius

After Michael Jansz van Mierveld (1567 - 1641).

Engraving.

William Jacobzoon Delff.

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Hugo Grotius.

After Michael Jansz van Mierveld (1567 - 1641).
Engraving.
William Jacobzoon Delff.

265 x 172 mm approx.

Rijksmuseum


Portrait of Hugo Grotius, after Mierevelt; bust turned half-r, eyes to front, with curling hair, moustache and beard, wearing a falling ruff and dark gown, within a circular border Pen and black ink, on vellum

Hugo Grotius
John Faber
after Mierveld
Drawing
262 x 221 mm.
1697
British Museum

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Hugo Grotius.

Michael Jansz van Miereveld (1567 - 1641).

Oil on Panel 63 x 55 cms.

1631.

Rijksmuseum



Hugo Grotius


Michael Jansz van Miereveld (1567 - 1641).

There are several versions of this painting

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The Four Philosophers; Justus Lipsius seated at a desk with rug and books, Hugo Grotius (or Jan Woverius?) seated next to him at right, Rubens and his brother Philip at left, a bust of Seneca in a niche at top right, a dog jumping against Grotius' leg in lower right, a curtain and column beyond, a landscape seen in background; unsigned; after Ferdinando Gregori who engraved after Peter Paul Rubens Engraving and etching


The Four Philosophers.
underneath the bust of Seneca.
After Fernando Gregori.
c. 1780.
Engraving.
403 x 304 mm.

After Rubens.

British Museum.

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Huigh De Groot (Hugo Grotius), by Thomas Cross, after  Unknown artist, published 1654 - NPG D21443 - © National Portrait Gallery, London


Hugo Grotius.

Thomas Cross.

Engraving.

121 x 71 cms.

1654.

National Portrait Gallery. London

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Huigh De Groot (Hugo Grotius), by Theodor Matham, after  Frans Hals, mid to late 17th century - NPG D26252 - © National Portrait Gallery, London


Hugo Grotius.

Theodor Matham.

after Frans Hals.

168 x 133 mm.

Mid - late 17th Century.

National Portrait Gallery, London


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Hugo Grotius
After van Mierveld
Hendrik Bary
Engraving
124 x 762 mm.

National Galleries of Scotland

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Huigh De Groot (Hugo Grotius), after Willem de Broen, early 18th century - NPG D26251 - © National Portrait Gallery, London



Hugo Grotius
they say after Willem de Broen??
very obviously based on the van Mierveld portrait
Early 18th century
National Portrait Gallery, London.


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Huigh De Groot (Hugo Grotius), by Jacobus Houbraken, circa 1755-1780 - NPG D20009 - © National Portrait Gallery, London


Hugo Grotius
water colour by Jacobus Houbraken
153 x 98 mm.

Again based on the van Mierveld portrait engraving.
National Portrait Gallery, London.





Hugo Grotius.

after the van Mierveld engraving.

Jacobus Houbraken (1698 - 1770)

engraving

Image Courtesy Harvard Art Museums.

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Hugo Grotius 
after van Mierveld
Jacobus Houbraken (1698 - 1770)
Engraving
171 x 107 mm.

National Galleries of Scotland.


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Hugo Grotius 
after van Mierveld
216 x 162 mm approx.
National Galleries of Scotland





Title-page to Hugo Grotius, 'Of the Rights of Peace and War', translated by William Evats (London, Ralph Smith, 1682); in the centre, the title and imprint, flanked by two columns; on the left, a female figure representing peace, holding two doves and an olive branch, with cornucopia at her feet; on the right, a male figure representing war, dressed in plumed helmet and armour, holding a sword, and with various military items at his feet; top left, portrait in oval of the author, inscribed 'The Most Excellent Hugo Grotius'; top right, portrait in oval of the translator, inscribed 'The Reverend W. Evats B: D: AEtat: Suae 77'; top centre, a country scene representing Plenty, with figures dancing and making music, harvesting, eating and relaxing; bottom centre, a scene of war, with infantry, cavalry, burning buildings and a besieged castle.  Etching with engraving

Title Page.

with vignette of Grotius.
1682

British Museum.



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The Masquerades  and Virtues and Vices.


Title-page; sculptural cartouche with a skeleton holding masks over the faces of two flanking figures  Engraving


With engravings after Jaques de Gheyn II

dedicated to Cornellis van Bleyenburch.

with lines from Hugo Grotius.

Fortune, WL, standing naked on a shell on water and holding up a sail  Engraving




Avarice, WL, holding a sceptre and chains in one hand and moneybags in the other besides a chest full of coins  Engraving



Pride, WL to right, finely attired, holding up a peacock decorated mirror  Engraving




Envy, WL, a withered woman with snake hair and gnawing a heart  Engraving




War, WL, wearing armour, holding aloft a shield and holding hilt to sword; a battlefield beyond  Engraving



Poverty, WL, a woman in rags breast feeding a baby with a child walking alongside clutching her dress; beyond a harsh and stormy landscape  Engraving





Faith, WL, she holds her hands in prayer and closes her eyes; she stands on a mirror, a snake and a sword  Engraving






Peace, WL, she wears a wreath and holds an olive branch in one hand and two doves in the other  Engraving
Peace
Zacharias Dolensdo (c 1561 - 1600)
Engraving
225 x 165 mm



All images above British Museum

For a very useful short biography of Grotius see - https://en.wikipedia.org/wiki/Hugo_Grotius

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