English 18th Century Portrait Sculpture

Sunday, 28 May 2017

John Ogilby

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John Ogilby Gaywood, Richard, Title Page, 1651, etching, National Portrait Gallery, London. In The Fables of Æsop, translated by J...

In the Studio of Baccio Bandinelli

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Portrait of Bacio Bandinelli in his Studio by Nicolo Della Casa. Continuing the theme of Sculpture depicted in paintings and engra...

Bookplate of David Garrick with bust of Shakespeare.

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The Bookplate of David Garrick (1717 -79). with the bust of Shakespeare. The Bookplate for David Garrick , engraved by I W...

Jean Jaques de Boissieu self portrait

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Jean Jaques de Boissieu (1736 - 1810). Engraver Self Portrait c.1796 The French Rembrandt Continuing the theme of  S...
Monday, 22 May 2017

Nanteuil Engraving of Cardinal Mazarin in his Sculpture Gallery.

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Robert Nanteuil (1623 - 1678). Engraving of Cardinal Jules Mazarin. 1659. 545 x 780 mm. Engraving  Metropolitan Museum of...
Thursday, 18 May 2017

Marianne Rush - Watercolourist

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  The Octagonal Summerhouse. Gough House, Chelsea. Watercolour Marianne Rush (d. 1814?). Watercolour of Lady Walpole...
Wednesday, 10 May 2017

Printed Stone: Sculpture and its Images. A workshop at the Institute of Advanced Studies, University College London, 12 June 2017

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Printed Stone: Sculpture and its Images. A workshop at the  Institute of Advanced Studies, University College London, 12 June 2017 ...
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David Bridgwater
"The historian should be fearless and incorruptible; a man of independence, loving frankness and truth; one who, as the poets says, calls a fig a fig and a spade a spade. He should yield to neither hatred nor affection, not should be unsparing and unpitying. He should be neither shy nor deprecating, but an impartial judge, giving each side all it deserves but no more. He should know in his writing no country and no city; he should bow to no authority and acknowledge no king. He should never consider what this or that man will think, but should state the facts as they really occurred. Lucian of Samosata
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